Skip to main content

What is a short story?

 

This article aims to introduce the nature of the short story by taking and discussing some of the related ideas available in the literature. To make the discussion clearer, these conceptions are applied to Bocaro’s A Long Walk Home (1977), a short story about the major character’s recall of a lesson he learned when he was a teenager. Since the short story is employed as an example of some concepts, it is suggested to read it before continuing to read this article.

Short story is a type of fiction. Fiction is a kind of prose, and prose is one of the main genres of literature (See Figure 1). Therefore, to define short story we need first understand what literature, prose, and fiction mean. Literature is hard to define in a single definition because the body of literature is very wide as it has many forms. Its definitions also tend to change over time because literature never stops developing. Derived from the Latin word Latin litaritura/litteratura which means “writing formed with letters”, literature is defined as is any written work or works in print, although some other definitions also include the spoken or sung texts. Marcus and Sollors (2009) stated, “literary means not only what is written but what is voiced, what is expressed, what is invented, in whatever form”. Therefore, in general, literature covers written works and spoken texts.

 

Figure 1. Literature Genres

However, recent definitions tend to delimit literature into “imaginative” writing, or fictive works, i.e. writing which is not literally true created to understand, express, and share experiences as seen through the author’s view. In this sense, literature excludes any factual, true, and historical works. Wellek and Warren (1963, p.22) that it is best literature to limit literature imaginative works. A literary work is produced by the author’s imagination. It is neither only a record of facts nor just the gathering of real events though it may happen in the real life. They accentuated. “Literature can create its own world as a product of unlimited imagination.” In the same way, Pickering and Hopper (1981) defined literature as “the creation of a uniquely human activity, born of man's timeless desire, to understand, express, and finally share experiences”.

In terms of academic courses, the term literature is particularly limited to the major genres of poetry, drama, and prose. This limitation implies that literature covers only literary works having the quality ducile et dolce, useful and beautiful. Davids (1983) insisted that literature is a creative writing of artistic value and Hancock (2006) stated that literature is written works of fiction and non-fiction which highly prioritize compositional excellence and advancement in the art of writing than the profit or commercial appeal. Literature, therefore, refers to any written work created with beautiful or the elevated use of language and is intended to understand, express, and share experiences as seen through the author’s view in order to present emotional effects and moral sentiments. 

As it is stated earlier, a short story is a type of prose, a form of language without formal metrical structure. Thus, prose employs “a natural flow of speech, and ordinary grammatical structure rather than rhythmic structure, such as in the case of traditional poetry” (Literary Devices, n.d.). Prose is also different from drama which is written out as a script to be clearly spelled out for the audience in a theater, radion, or television.  Prose is divided into fiction and non-fiction. Fiction, derived from Latin fictio which means “the act of making, fashioning, or molding,” refers to any literary work that is based on the author’s imagination. It is not presented as fact, although it could be based on a true story or situation. Fiction, which is defined by Alternbend and Lewis (1966, p. 29) as "a prose narrative that dramatizes changes in human relationships", covers novels, novellas, and short stories. On the other hand, non-fiction is any literary work mainly created on fact, although it may include certain fictional elements. Non-fiction includes biography and essay. As a type of fiction, the short story is an imaginary or invented story. It is not true and factual, although it may be written based on a true story or situation. 

As an imaginative work, short stories cover a diverse area of subject matter. Some short stories are about a romantic relationship between a man and a woman. Some are about animals and plants (like those in fables). Some others talk about aliens, robots, or other forms of artificial intelligence (science fiction), ghosts, or other supernatural beings (ghost stories), the dark side of human nature (horror stories), and mythical or legendary beings (folk tales and fairy tales). Whatever the subject matter of a short story is, it always reveals something about human life. An author may tell about animals, angels, robots, or aliens. They are, however, purposively selected and shaped by him to achieve his purpose, i.e. to dramatize one or more aspects of human life. 

Despite being imaginary, fiction is usually a plausible and narrative which dramatizes changes in human relationships. Although A Long Walk Home is a recall of a lesson he takes from the past, it is an imaginary or fictional work. It may be based on a true event, but the author must have made some additions, reductions, or modifications to it. It is a narrative work that dramatizes a change in Jackson and his father's relationship. Before and after the event, they are the same father and son. However, after the event something has changed, i.e. Jackson never again tells a lie to his father after.

What makes a short story different from a novelette and a novel is its brevity. In relation to this, Hansen (2019) describes a short story as a “brief fictional prose narrative that is shorter than a novel and that usually deals with only a few characters.” A short story is generally 500 to 7,500 words in length (A Long Walk Home is written in 556 words!). A novelette is 7,500 to 17,000 words in length and a novel is more than 17,000 words (See Figure 2).

Figure 2. Types of Fiction

As a consequence of its brevity, a short story usually has a limited number of characters and focuses only on a single event. Baldick (2008), stated that a short story is “A fictional prose tale of no specified length, but too short to be published as a volume on its own, … which normally concentrate on a single event with only one or two characters, more economically than  a novel’s sustained exploration of social background.” The brevity of a short story is also emphasized by Poe by stating that a short story is “A narrative that can be read at one sitting of from one-half hour to two hours, and that is limited to ‘a certain unique or single effect.” These criteria are pertained to A Long Walk Home, whose characters are only two—Jackson and his father—and focuses only on a single event, i.e. when Jackson is asked to service the car. Even the event does not include various details. The author, for instance, does not tell what parts of the car are repaired, how much it costs, and what's the name of the mechanic. Bocarro just focuses on using the event as a means to show how Jackson decides to make up a reason for his being late and how his lie disappoints his father. By so doing, Bocarro manages to present a single effect, i.e. Jackson's decision to never again tells a lie to his father.

To conclude, a short story is a brief fiction (written in 500 to 7,000 words) that focuses on a single event taking place in a limited setting and involving a limited number of characters, through which changes in human relationships are dramatized. ***                                                                                      

References

Alternbend, L. & Lewis, L.L. (1966). A handbook for the study of fiction. London: Collier Macmillan Ltd.

Baldick, C. (2008). The Oxford dictionary of literary terms (3 Ed.). Oxford: Oxford University Press

Bocarro, J.  (1997). A long walk home. In Canfield, J.  (Ed.). Chicken soup for the soul. USA: HCI Books.

Davids, M. (1983). Understanding literature. Michigan: Michigan press.

Hanconck, P. (2006). What is literature? Sydney: Australia.

Hansen, A.J. (2019). Short Story. Retrieved from https://www.britannica.com/art/short-story#info-article-history

Literary Devices. (n.d.). retrieved June 2019 from https://literarydevices.net/prose/

Marcus, G. & Sollors, W. (Eds.). (2009). A new literary history of America: Cambridge, MA: Harvard University Press.

Pickering, J.H. & Hopper, J.D. (1981). Concise companion to literature. New York: Macmillan

Wellek, R. & Warren, A. (1963). Theory of literature.  Mitcham, Victoria: Penguin,


Comments

  1. So, every short story dramatizes changes in human relationship? This can be accepted if the story has 2 or more characters interacting in it. What about a short story with a single character having monologues?

    ReplyDelete

Post a Comment

Popular posts from this blog

Types and Functions of Plot

Type of Plots  The plot used in fictions can be differentiated into four types: linear, episodic, parallel, and flashback. The most common plot employed in short stories is the linear plot. Some short stories, though quite rarely, also use flashback plot. The episodic and parallel plots, however, are found only in long fiction, i.e. novels. Short storied do not use episodic and parallel plots because short stories normally concentrate on a single event with a very limited number of characters, while episodic and parallel plots include a series of events or more than one plot. The following section describes each plot briefly. The Linear Plot The linear plot (sometimes is also called dramatic or progressive plot) presents action or occurrences chronologically. It typically starts with an exposition (or introduction to the setting and characters) and the conflict. After that, the rising action follows which leads to a climax. Soon after the climax, falling action emerges which brings

Identifying a Research Problem (and Writing the Statement of the Problem)

  Research is essentially a problem-driven process. It starts and focuses on a specific problem or phenomenon. During the research process, data is collected and theories are elaborated to explain the problem. In other words, identifying and determining the problem to study is the first and the most important aspect to deal with in undertaking research. Thus, the research problem is the foundation of a research project. If the foundation is shaky the entire project is doomed to failure. Despite its critical importance, identifying and stating a research problem are the most challenging aspects of undertaking research, especially for novice researchers. This might be due to an insufficient understanding of how to identify and write for a study. This article describes research problem identification as the first step of a research process. It starts by describing what a research problem is, how to identify it, and where to obtain it. Then it briefly probes the criteria for determining a

An Analysis of the Theme of Hemingway’s “Old Man at the Bridge”

  An Analysis of the Theme of Hemingway’s “Old Man at the Bridge” Introduction The theme is one of the most interesting elements of fiction, including a short story. It refers to the central idea or meaning that the author wants to convey to the readers. Some stories convey a single theme, but some other stories have several themes. Since short stories are related to human life, Alternbend and Lewis (1966, p. 78) define theme as “The general vision of life or the more explicit proposition about human experience that literature conveys”. In relation to this, one of the easiest ways to determine the theme of a short story is by asking ourselves, “What does the story say about life? The theme of fiction is generally presented through the other elements of fiction, particularly the plot and characterization. This article is a venture to analyze the theme of Hemingway’s Old Man at the Bridge . This story is interesting to analyze due to two reasons. First, it is based on Hemingway’s exp